Second Layer pioneered the use of drum machines and mixed machine-based soundscape with more human elements created a sound ahead of it's time. After releasing a couple of singles in 1979 and 1980 they released World of Rubber in 1981. A beautiful, hard and emotional record. By 1981 Second Layer had found a home on London-based label Cherry Red and released their debut album 'World of Rubber' in November of that year. Full of hard mechanical sounds produced by Adrian's guitars and Graham's homemade drum machines, the album actively engages the listener. There is no crack, serial number, keygen, hack or activation key for EMCO Ping Monitor (Free Version) present here nor we support any illegal way of software activation. Every software that you are able to download on our site is freely downloadable and 100% legal. If you like software product please consider supporting the author and buying product. You can't download any crack or serial number for EMCO Ping Monitor (Free Version) on Download.hr. All software products that you can find on Download.hr, including EMCO Ping Monitor (Free Version), are either free, freeware, shareware, full version, trial, demo or open-source. Emco ping monitor crack serial keygen kaspersky. Edgerouter lite configuration. Consult the EdgeRouter Lite User Guide for information on accessing the EdgeOS configuration interface for the first time. Bascially, the steps are: connect a machine to the eth0 port on the ERL, manually configure your machine to have an address in the 192.168.1.x subnet, then point your web browser at 192.168.1.1. This post in the Ubiquiti Forums also has some basic SOHO configurations with PPPoE client and PPTP remote-access server for the three port EdgeRouter Lite and a basic SOHO configuration for the newer five port EdgeRouter-POE. As a historical narrative, many of the main players from the post-punk era are today pretty much canonised in hagiographical terms, with people able to recite the cultural shorthand and histories of the likes of Ian Curtis, John Lydon and Genesis P-Orridge. Adrian Borland is someone whom most people won't know. As the frontman of post-punk band The Sound, he lacked the wan, pretty features of the likes of Curtis, Ian McCulloch or Julian Cope, while also possessing a hair-trigger temper that fed into the band's aggressive approach with their record company. Sleng teng extravaganza rar. Despite being praised critically, The Sound's first three albums, 1979's Jeopardy, 1981's From The Lions Mouth and 1982's All Fall Down failed to translate into commercial sales. While 'anthemic' indie contemporaries such as Echo And The Bunnymen (who were signed on the same label), U2, The Cure, and Simple Minds achieved mainstream success, The Sound became one of the 'lost' bands in post-punk history, a footnote in the story. After The Sound split up in 1988, Borland would continue making music, but after years of battling both a lack of recognition and severe mental health issues, he committed suicide in 1999. That should have been the end of the story. But we live in the digital age now and as such no longer abide by a single historical narrative. Thanks to the crate digging blogs of the last several years, Borland's music, both with The Sound and his side projects have been rediscovered by a new army of online fans. Of particular interest is Second Layer, the duo he formed with The Sound bassist Graham Bailey. Their only album World Of Rubber is now the focus of a reissue by the ever dependable Dark Entries Records, who have collected and remastered Second Layer's entire discography (their 1981 album World Of Rubber, their two EPs, 1979's Flesh As Property and 1980's State Of Emergency, as well as five unreleased demo tracks) into a single collection, in order to create a full statement of reappraisal of Borland and Bailey's talent. The first thing that's noticeable on listening to World Of Rubber is how utterly different the sound and aesthetic of Second Layer is compared to that of The Sound. While The Sound had songs of gloomy introspection and a sweeping romanticism, Second Layer strips all of that away, leaving in its place a monochrome worldview morbidly obsessed with the dehumanising effect of war, nuclear weapon annihilation, and the fracturing and negation of the self within an increasingly distorted and technologically mediated society. Only the track 'Courts Or Wars' has a distinct musical affinity to The Sound. The lyrics on World Of Rubber don't trade in subtlety or ambiguity, instead preferring to overwhelm you with its ugliness. The opening song 'Definition Of Honour' has Borland drawling explicit anti-war rhetoric such as 'the definition of honour is the hole in the side of your head.' 'Germany' attempts to articulate the Teutonic man-machine utopia of Kraftwerk gone sour, as the 'modern vision' 'autobahns', and 'the steel and iron' cut Borland down. 'Underneath The Glass,' has an almost freakish level of paranoia with Borland neurotically singing about germs, disease, assassination plots, and disturbing things squirming in the brain. The music, mirroring the blunt lyrics, is as harsh as it is austere, with Bailey's drum machine rhythms and bass providing the stiff regulatory pulse, and Borland's abrasive guitar providing the platform onto which faltering synths and industrial metal noises are bolted and welded together. It's an assemblage of machine parts that seeks to characterise the inhuman worldview shown on the album's cover, where veins, flesh, skin and emotions are replaced by wires, pistons, plastics and cybernetic feedback circuitry.
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